Tag: History

  • [Solved] History Listening Assignment

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    The assignment is attached under Listening Assignement; the terminology is another pdf file. – 2 years ago **files (2)** – ## ListeningAssignment.pdf – ## Termsthroughweek7-1.pdf **## ListeningAssignment.pdf** Week 8 Assignment The Listening Terms: String Quartet Theme and Variations Pentatonic Scal…

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    The assignment is attached under Listening Assignement; the terminology is another pdf file.

    – 2 years ago

    **files (2)**

    – ## ListeningAssignment.pdf

    – ## Termsthroughweek7-1.pdf

    **## ListeningAssignment.pdf**

    Week 8 Assignment The Listening

    Terms:

    String Quartet

    Theme and Variations

    Pentatonic Scale

    Tremolo

    Koto

    Listening Part:

    This is the playlist of 6 songs:

    • Pick 4 (four) of the songs and write a descriptive paragraph about each
    (4 total paragraphs- 1 for each song).

    • use terms from our readings in Assignments/Discussions 1-7 to describe the
    music you hear

    Here is a review sheet of Terms from Ch 1-7 it’s attached separately.

    **## Termsthroughweek7-1.pdf**

    Terms Through Week 7

    Basic Elements of Music

    Melody- The tune of a song/piece. Single line of notes in succession

    Dynamics- loud or soft- volume control!

    Rhythm- the beat, the groove, the tempo, dividing time into units

    Harmony- supports the melody. Chords, bass lines, etc.

    Texture- Thickness and thinness of the music- “density” of the sound/music

    Timbre- the “color” of the sound

    Form- architecture of the music- how the song is pieced together

    Word-Music Relationships- how the music reinforces the text and vice versa

    Plainchant- Monks chanting- Gregorian chant- monophonic (single line of music)

    Syllabic- one note of music per syllable of text

    Melismatic- many notes per syllable

    Free Rhythm- the absence of a regular time pulse

    Metered Rhythm- like a heart beat- regulated pulses

    Conjunct Motion- notes that are close together- smooth melodic contour

    Disjunct Motion- bigger jumps in the melody

    Vocables- word like things that aren’t really words- nonsense syllables that are sung

    Terraced Melody- “staircase” like melody- either starts high and steps low, or vice versa

    Musical Textures: Can have more than one happening in any given piece!

    Monophonic- single melodic line. Think plainchant. Can be many voices singing or playing this
    same melody

    Polyphonic- More than one important melody at once- weaving in and out

    Homophonic- singer accompanied by a band, melody accompanied by harmony

    Heterophonic- slight variations in same melody

    Triple meter- dividing time into 3 beat units (and multiples of)

    Duple meter- dividing time into 2 beat units (and multiples of)

    Cadence- a resting point in the music. Can be subtle or super obvious, happen in logical
    musical spots.

    Unison- voices playing/singing the same part at the same time

    AAB Form- 1st part (A) is repeated (A) B is different or contrasting. Letters denote different
    sections. Can be short or long sections

    Shawm- weird oboe-like single reed instrument from Renaissance. Early instruments

    Madrigal- Renaissance song- secular (non-religious)

    Anthem- religious song in English
    motet – Renaissance song, sacred (religious)
    a capella- all voices, no instruments
    imitative counterpoint- like a round- “row row row your boat”
    call and response-

    Ternary form- three part form

    binary form- two part form
    syncretism- combining of different cultures/religions

    Opera- musical stage show (think Hamilton in Italian!)

    Overture- short instrumental introduction at beginning of an opera, or act

    Recitative- free rhythm, almost like spoken word, no “song like” melody, where the “dialog” or
    musical speeches are happening.

    Aria- beautiful songs- regular meter, defined and memorable melody, etc,

    Basso Continuo- group of musicians that provide continuous harmonic support.

    Ostinato- repeated pattern in music

    Interlocking Rhythms- parts that go together in a beat or similar

    Hocket- vocal technique where melody is split or passed around to different voices

    Melodic Embellishment- making things fancy!!

    Refrain- repeated melodic section in a song- the hook, the catchy part that has the same
    words every time!

    Concerto- piece for soloist and orchestra

    Program Music- music that represents something else- Vivaldi’s “Seasons”

    Fugue- Bach- technique of taking one theme (“subject”) and tossing it around to different
    voices to create a piece of music.

    Soloiost- one person/instrument featured

    Ritornello- repeated orchestral part-

    Modulation- keys changing in music. Create contrast in the music- going from major to minor,
    dark to light keys. Creates interest and surprises the ear.

    **## Termsthroughweek7-1.pdf**

    Terms Through Week 7

    Basic Elements of Music

    Melody- The tune of a song/piece. Single line of notes in succession

    Dynamics- loud or soft- volume control!

    Rhythm- the beat, the groove, the tempo, dividing time into units

    Harmony- supports the melody. Chords, bass lines, etc.

    Texture- Thickness and thinness of the music- “density” of the sound/music

    Timbre- the “color” of the sound

    Form- architecture of the music- how the song is pieced together

    Word-Music Relationships- how the music reinforces the text and vice versa

    Plainchant- Monks chanting- Gregorian chant- monophonic (single line of music)

    Syllabic- one note of music per syllable of text

    Melismatic- many notes per syllable

    Free Rhythm- the absence of a regular time pulse

    Metered Rhythm- like a heart beat- regulated pulses

    Conjunct Motion- notes that are close together- smooth melodic contour

    Disjunct Motion- bigger jumps in the melody

    Vocables- word like things that aren’t really words- nonsense syllables that are sung

    Terraced Melody- “staircase” like melody- either starts high and steps low, or vice versa

    Musical Textures: Can have more than one happening in any given piece!

    Monophonic- single melodic line. Think plainchant. Can be many voices singing or playing this
    same melody

    Polyphonic- More than one important melody at once- weaving in and out

    Homophonic- singer accompanied by a band, melody accompanied by harmony

    Heterophonic- slight variations in same melody

    Triple meter- dividing time into 3 beat units (and multiples of)

    Duple meter- dividing time into 2 beat units (and multiples of)

    Cadence- a resting point in the music. Can be subtle or super obvious, happen in logical
    musical spots.

    Unison- voices playing/singing the same part at the same time

    AAB Form- 1st part (A) is repeated (A) B is different or contrasting. Letters denote different
    sections. Can be short or long sections

    Shawm- weird oboe-like single reed instrument from Renaissance. Early instruments

    Madrigal- Renaissance song- secular (non-religious)

    Anthem- religious song in English
    motet – Renaissance song, sacred (religious)
    a capella- all voices, no instruments
    imitative counterpoint- like a round- “row row row your boat”
    call and response-

    Ternary form- three part form

    binary form- two part form
    syncretism- combining of different cultures/religions

    Opera- musical stage show (think Hamilton in Italian!)

    Overture- short instrumental introduction at beginning of an opera, or act

    Recitative- free rhythm, almost like spoken word, no “song like” melody, where the “dialog” or
    musical speeches are happening.

    Aria- beautiful songs- regular meter, defined and memorable melody, etc,

    Basso Continuo- group of musicians that provide continuous harmonic support.

    Ostinato- repeated pattern in music

    Interlocking Rhythms- parts that go together in a beat or similar

    Hocket- vocal technique where melody is split or passed around to different voices

    Melodic Embellishment- making things fancy!!

    Refrain- repeated melodic section in a song- the hook, the catchy part that has the same
    words every time!

    Concerto- piece for soloist and orchestra

    Program Music- music that represents something else- Vivaldi’s “Seasons”

    Fugue- Bach- technique of taking one theme (“subject”) and tossing it around to different
    voices to create a piece of music.

    Soloiost- one person/instrument featured

    Ritornello- repeated orchestral part-

    Modulation- keys changing in music. Create contrast in the music- going from major to minor,
    dark to light keys. Creates interest and surprises the ear.

    **## ListeningAssignment.pdf**

    Week 8 Assignment The Listening

    Terms:

    String Quartet

    Theme and Variations

    Pentatonic Scale

    Tremolo

    Koto

    Listening Part:

    This is the playlist of 6 songs:

    • Pick 4 (four) of the songs and write a descriptive paragraph about each
    (4 total paragraphs- 1 for each song).

    • use terms from our readings in Assignments/Discussions 1-7 to describe the
    music you hear

    Here is a review sheet of Terms from Ch 1-7 it’s attached separately.

    **## Termsthroughweek7-1.pdf**

    Terms Through Week 7

    Basic Elements of Music

    Melody- The tune of a song/piece. Single line of notes in succession

    Dynamics- loud or soft- volume control!

    Rhythm- the beat, the groove, the tempo, dividing time into units

    Harmony- supports the melody. Chords, bass lines, etc.

    Texture- Thickness and thinness of the music- “density” of the sound/music

    Timbre- the “color” of the sound

    Form- architecture of the music- how the song is pieced together

    Word-Music Relationships- how the music reinforces the text and vice versa

    Plainchant- Monks chanting- Gregorian chant- monophonic (single line of music)

    Syllabic- one note of music per syllable of text

    Melismatic- many notes per syllable

    Free Rhythm- the absence of a regular time pulse

    Metered Rhythm- like a heart beat- regulated pulses

    Conjunct Motion- notes that are close together- smooth melodic contour

    Disjunct Motion- bigger jumps in the melody

    Vocables- word like things that aren’t really words- nonsense syllables that are sung

    Terraced Melody- “staircase” like melody- either starts high and steps low, or vice versa

    Musical Textures: Can have more than one happening in any given piece!

    Monophonic- single melodic line. Think plainchant. Can be many voices singing or playing this
    same melody

    Polyphonic- More than one important melody at once- weaving in and out

    Homophonic- singer accompanied by a band, melody accompanied by harmony

    Heterophonic- slight variations in same melody

    Triple meter- dividing time into 3 beat units (and multiples of)

    Duple meter- dividing time into 2 beat units (and multiples of)

    Cadence- a resting point in the music. Can be subtle or super obvious, happen in logical
    musical spots.

    Unison- voices playing/singing the same part at the same time

    AAB Form- 1st part (A) is repeated (A) B is different or contrasting. Letters denote different
    sections. Can be short or long sections

    Shawm- weird oboe-like single reed instrument from Renaissance. Early instruments

    Madrigal- Renaissance song- secular (non-religious)

    Anthem- religious song in English
    motet – Renaissance song, sacred (religious)
    a capella- all voices, no instruments
    imitative counterpoint- like a round- “row row row your boat”
    call and response-

    Ternary form- three part form

    binary form- two part form
    syncretism- combining of different cultures/religions

    Opera- musical stage show (think Hamilton in Italian!)

    Overture- short instrumental introduction at beginning of an opera, or act

    Recitative- free rhythm, almost like spoken word, no “song like” melody, where the “dialog” or
    musical speeches are happening.

    Aria- beautiful songs- regular meter, defined and memorable melody, etc,

    Basso Continuo- group of musicians that provide continuous harmonic support.

    Ostinato- repeated pattern in music

    Interlocking Rhythms- parts that go together in a beat or similar

    Hocket- vocal technique where melody is split or passed around to different voices

    Melodic Embellishment- making things fancy!!

    Refrain- repeated melodic section in a song- the hook, the catchy part that has the same
    words every time!

    Concerto- piece for soloist and orchestra

    Program Music- music that represents something else- Vivaldi’s “Seasons”

    Fugue- Bach- technique of taking one theme (“subject”) and tossing it around to different
    voices to create a piece of music.

    Soloiost- one person/instrument featured

    Ritornello- repeated orchestral part-

    Modulation- keys changing in music. Create contrast in the music- going from major to minor,
    dark to light keys. Creates interest and surprises the ear.

    **## ListeningAssignment.pdf**

    Week 8 Assignment The Listening

    Terms:

    String Quartet

    Theme and Variations

    Pentatonic Scale

    Tremolo

    Koto

    Listening Part:

    This is the playlist of 6 songs:

    • Pick 4 (four) of the songs and write a descriptive paragraph about each
    (4 total paragraphs- 1 for each song).

    • use terms from our readings in Assignments/Discussions 1-7 to describe the
    music you hear

    Here is a review sheet of Terms from Ch 1-7 it’s attached separately.

    **## Termsthroughweek7-1.pdf**

    Terms Through Week 7

    Basic Elements of Music

    Melody- The tune of a song/piece. Single line of notes in succession

    Dynamics- loud or soft- volume control!

    Rhythm- the beat, the groove, the tempo, dividing time into units

    Harmony- supports the melody. Chords, bass lines, etc.

    Texture- Thickness and thinness of the music- “density” of the sound/music

    Timbre- the “color” of the sound

    Form- architecture of the music- how the song is pieced together

    Word-Music Relationships- how the music reinforces the text and vice versa

    Plainchant- Monks chanting- Gregorian chant- monophonic (single line of music)

    Syllabic- one note of music per syllable of text

    Melismatic- many notes per syllable

    Free Rhythm- the absence of a regular time pulse

    Metered Rhythm- like a heart beat- regulated pulses

    Conjunct Motion- notes that are close together- smooth melodic contour

    Disjunct Motion- bigger jumps in the melody

    Vocables- word like things that aren’t really words- nonsense syllables that are sung

    Terraced Melody- “staircase” like melody- either starts high and steps low, or vice versa

    Musical Textures: Can have more than one happening in any given piece!

    Monophonic- single melodic line. Think plainchant. Can be many voices singing or playing this
    same melody

    Polyphonic- More than one important melody at once- weaving in and out

    Homophonic- singer accompanied by a band, melody accompanied by harmony

    Heterophonic- slight variations in same melody

    Triple meter- dividing time into 3 beat units (and multiples of)

    Duple meter- dividing time into 2 beat units (and multiples of)

    Cadence- a resting point in the music. Can be subtle or super obvious, happen in logical
    musical spots.

    Unison- voices playing/singing the same part at the same time

    AAB Form- 1st part (A) is repeated (A) B is different or contrasting. Letters denote different
    sections. Can be short or long sections

    Shawm- weird oboe-like single reed instrument from Renaissance. Early instruments

    Madrigal- Renaissance song- secular (non-religious)

    Anthem- religious song in English
    motet – Renaissance song, sacred (religious)
    a capella- all voices, no instruments
    imitative counterpoint- like a round- “row row row your boat”
    call and response-

    Ternary form- three part form

    binary form- two part form
    syncretism- combining of different cultures/religions

    Opera- musical stage show (think Hamilton in Italian!)

    Overture- short instrumental introduction at beginning of an opera, or act

    Recitative- free rhythm, almost like spoken word, no “song like” melody, where the “dialog” or
    musical speeches are happening.

    Aria- beautiful songs- regular meter, defined and memorable melody, etc,

    Basso Continuo- group of musicians that provide continuous harmonic support.

    Ostinato- repeated pattern in music

    Interlocking Rhythms- parts that go together in a beat or similar

    Hocket- vocal technique where melody is split or passed around to different voices

    Melodic Embellishment- making things fancy!!

    Refrain- repeated melodic section in a song- the hook, the catchy part that has the same
    words every time!

    Concerto- piece for soloist and orchestra

    Program Music- music that represents something else- Vivaldi’s “Seasons”

    Fugue- Bach- technique of taking one theme (“subject”) and tossing it around to different
    voices to create a piece of music.

    Soloiost- one person/instrument featured

    Ritornello- repeated orchestral part-

    Modulation- keys changing in music. Create contrast in the music- going from major to minor,
    dark to light keys. Creates interest and surprises the ear.

  • [Solved] Prof Double R

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    DISCUSSION 1 1. Reflect on Anthony and Kierra post and their perspective on the historical nature of Black witnessing. Is there any further historical context to expand on regarding the example of Black witnessing your peer discussed in their post? 2. Can you expand on Anthony and Kierra discussion …

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    DISCUSSION 1

    1. Reflect on Anthony and Kierra post and their perspective on the historical nature of Black witnessing. Is there any further historical context to expand on regarding the example of Black witnessing your peer discussed in their post?
    2. Can you expand on Anthony and Kierra discussion of the demonstrated agency and resiliency of Black people in different historical contexts? How do you see this agency and resiliency demonstrated in contemporary U.S. society?

    ANTHONY POST

    Looking at history through the lens of Black witnessing versus dominant narratives, it’s obvious that the truth has often been buried or twisted to fit a more comfortable version of events. The mainstream version of history tends to downplay or sanitize White-on-Black violence, making it seem like isolated incidents rather than patterns of systemic oppression. But firsthand accounts—raw, unfiltered, and deeply personal—tell a much different story.

    Take Frederick Douglass’s speech, I Have Come to Tell You Something About Slavery. He doesn’t just describe slavery as an institution—he makes you feel it. He talks about the beatings, the hunger, the complete stripping of his humanity. At the time, many White Americans saw slavery as either a necessary evil or something that wasn’t really that bad. Douglass shattered that illusion by standing up and telling the truth. That alone was an act of power. He wasn’t just surviving; he was making sure that no one could ignore what slavery really was.

    Fast forward to 1921, and you see the same fight for truth in Walter White’s report on the Tulsa Race Massacre. The Greenwood District, a thriving Black community, was burned to the ground by White mobs. Hundreds of people were killed, and for decades, the story was buried. White’s reporting made sure it was documented, refusing to let history erase what happened. Like Douglass, he used his voice as a weapon against silence.

    What stands out to me is how Black people have always found ways to fight back—not just physically, but through storytelling, journalism, and activism. The same kind of witnessing that Douglass and White did is happening today with Black Lives Matter. Social media has become a tool for truth-telling, capturing police brutality in real time and forcing people to confront it. The methods have changed, but the fight hasn’t. Black witnessing has always been about more than survival—it’s about refusing to be erased.

    KIERRA POST

    In examining the differences between dominant historical narratives and the historical narratives produced from Black witnessing, we gain insight into the way both power structures and individual experiences shape the portrayal of Black lives. The dominant historical narratives often reflect the perspectives of those in power, who have historically been white. In contrast, Black witnessing represents an attempt to speak truth to power, highlighting personal and collective experiences of injustice, resilience, and agency. In the context of _The Speeches of Frederick Douglass: A Critical Edition_, Douglass directly confronts the dominant historical narrative of the time—one that justified slavery and its associated brutality as a natural or necessary part of American society. His speeches are a form of Black witnessing, a direct challenge to the accepted historical narrative. Similarly, the modern movement for racial justice, as discussed in _Black Lives Matter: From a Moment to a Movement_, highlights how social media has become a powerful tool for contemporary Black witnessing. Social media platforms allow for the widespread sharing of Black voices and experiences that were previously marginalized or silenced in mainstream media. The video recordings of police brutality and the viral hashtags like #BlackLivesMatter have challenged the dominant narratives around race and policing, exposing the systemic violence faced by Black individuals and communities.  When comparing these two readings from different historical periods, we see a transformation in the methods of witnessing and activism but a continuity in the struggle for justice and equality. Douglass’s speeches were delivered in person, through direct engagement with his audience, while today’s Black witnesses utilize the digital space to reach a global audience instantaneously. Black agency in both contexts is evident—whether through Douglass’s calls for the abolition of slavery or through the collective action of Black Lives Matter activists challenging police violence. Both examples underscore the importance of truth-telling and the documentation of social injustice as central to the ongoing fight for equality. Black people have demonstrated resiliency and agency as powerful actors in their own right by consistently asserting their humanity, challenging systemic oppression, and fighting for their freedom, justice, and equality.  In _The Speeches of Frederick Douglass: A Critical Edition_, Douglass exemplifies agency by using his personal experience as a formerly enslaved person to speak truth to power. His speeches, such as “I Have Come to Tell You Something About Slavery,” are powerful examples of how Black people took control of their narrative and challenged the dominant pro-slavery discourse. His words and actions provided a blueprint for others to follow in the pursuit of justice and equality. The _Black Lives Matter: From a Moment to a Movement_ article highlights how contemporary Black people, particularly through the use of social media, have demonstrated collective agency in response to systemic violence and racial injustice. The Black Lives Matter movement was ignited by the deaths of Trayvon Martin, Michael Brown, Eric Garner, and many others, but it grew into a powerful, global movement that mobilized millions to act. This collective action is an example of how Black people continue to demonstrate agency in the fight for justice, influencing public opinion and demanding policy changes that address systemic racism. In both historical and modern contexts, Black agency is demonstrated through the act of challenging the status quo, asserting power, and taking control over one's own destiny. These actions serve as powerful reminders of the strength, determination, and agency of Black people in shaping their own lives and the broader social and political landscape.

    ASSIGNMENT

    COMPLETE THE ASSIGNMENT UPLOADED BELOW

    ## Directions

    You will create a collection of sources to support your work on the final project. You must choose a minimum of one primary source and two secondary sources related to your chosen topic. ( **The War on Drugs and Mass Incarceration (1980 to the Present)** )

    Specifically, you must address the following rubric criteria:

    1. **Summarize**the source.

    1. Provide a full citation of the source. Create an APA-style citation that would appear in a reference list.
    2. What is the main idea?
    3. What are two or three key points?
    2. Evaluate the **credibility** of the source.

    1. What is the purpose of the source?
    2. If a secondary source, is the source peer reviewed?
    3. Describe **biases** in the source.

    1. What specific biases are present?
    4. Explain the **relevance** to the topic.

    1. How does the source relate to the historical event you have chosen?
    2. How does the source provide evidence for inclusion in the time capsule?

    ## What to Submit

    [HIS 217 Module Three Collection of Sources Template](https://learn.snhu.edu/content/enforced/1862768-HIS-217-11591.202516-1/course_documents/HIS%20217%20Module%20Three%20Collection%20of%20Sources%20Template.docx?isCourseFile=true&ou=1862768) uploaded below

    Use this template to create your document.

    – [\
    \
    HIS217ModuleThreeCollectionofSourcesTemplate1.docx](https://www.sweetstudy.com/files/his217modulethreecollectionofsourcestemplate1-docx "HIS217ModuleThreeCollectionofSourcesTemplate1.docx")

    – 2 years ago

  • [Solved] Wild Card 2

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    **After watching this video, write a brief assignment (1 page double spaced) reviewing what you learned.** [The Beatles: a musical appreciation and analysis by composer, Howard Goodall CBE](https://www.youtube.com/watch?v=ZQS91wVdvYc) – 2 years ago

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    Assignment Prompt & Instructions

    **After watching this video, write a brief assignment (1 page double spaced) reviewing what you learned.**

    [The Beatles: a musical appreciation and analysis by composer, Howard Goodall CBE](https://www.youtube.com/watch?v=ZQS91wVdvYc)

    – 2 years ago

  • [Solved] See attached.pol

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    – [\ \ sweet.pol.doc](https://www.sweetstudy.com/files/sweet-pol-doc "sweet.pol.doc") – 2 years ago

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    Assignment Prompt & Instructions

    – [\
    \
    sweet.pol.doc](https://www.sweetstudy.com/files/sweet-pol-doc "sweet.pol.doc")

    – 2 years ago

  • [Solved] HISTORY

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    Class, a new movement has started since the early 2000s, where some political groups are trying to remove American history from our children's school curriculum and textbooks, specifically slave history. These groups also do not want to cover segregation, civil rights and more. By removing the histo…

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    Assignment Prompt & Instructions

    Class, a new movement has started since the early 2000s, where some political groups are trying to remove American history from our children's school curriculum and textbooks, specifically slave history. These groups also do not want to cover segregation, civil rights and more.  By removing the history that we have just covered in these last eight weeks, the African American communities are denied their connections to American History and so are others who would like to learn more about the history of slavery and racial inequality in America.  Recently, African Americans have created movements such as "Black Lives Matter"  to counteract these other groups, have begun to celebrate Juneteenth as

    – 2 years ago

  • [Solved] Milestone 1

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    [>World history homework help](https://www.sweetstudy.com/fields/history-world-history) See Attached – 2 years ago

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    [>World history homework help](https://www.sweetstudy.com/fields/history-world-history)

    See Attached

    – 2 years ago

  • [Solved] Engl final

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    If you need to gather info elsewhere to make 3 pages, please do so – 2 years ago **files (5)** – ## WritingProject1.docx – ## WritingProject1DownloadableWordTemplate.docx – EBSCO-FullText-03_23_2025-3.pdf – EBSCO-FullText-03_23_2025.pdf – EBSCO-FullText-03_23_2025-2.pdf **## WritingProject1.do…

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    Assignment Prompt & Instructions

    If you need to gather info elsewhere to make 3 pages, please do so

    – 2 years ago

    **files (5)**

    – ## WritingProject1.docx

    – ## WritingProject1DownloadableWordTemplate.docx

    – EBSCO-FullText-03_23_2025-3.pdf
    – EBSCO-FullText-03_23_2025.pdf
    – EBSCO-FullText-03_23_2025-2.pdf

    **## WritingProject1.docx**

    Writing Project 1: Final Paper – SUBMIT HERE (due M 3/24)

    Overview

    · 2-3 pages (APA formatted) exploring the history of your
    _problem_ by using information found in or through the Chesnutt Library ONLY.

    ·
    **_You may not include anything found anywhere other than Chesnutt Library and/or the_** [**_library’s website_**](https://libguides.uncfsu.edu/home)

    · Your essay will consist of a summary (in your own words) of each
    _library source_ **(at least 3)**. One source MUST be a book (print or online).

    · For extra credit, have campus
    [Writing Center tutors or Upswing tutors](https://uncfsu.instructure.com/courses/43988/pages/free-writing-support-and-extension-grade-contracts) review your paper before turning in your final copy. This is a part of your essay grade. (See
    [Week 5](https://uncfsu.instructure.com/courses/43988/modules/360567) in Canvas for more info. on writing support.)

    Learning goals:

    1. Increase comfort and familiarity with using an academic library (Library of Congress organizational system, eBooks, online databases, academic journal articles, etc.) and reading and evaluating academic research.

    2. Learn about the historical background of your
    _problem_:

    · when did it begin and how has it worked over time, in various contexts;

    · what do older studies and research tell us about it;

    · what attempts have been made in the past to improve the situation; and

    · how have they worked out

    The below resources are MOST helpful when writing your paper –

    ·
    [Easy Steps for Writing Project 1](https://uncfsu.instructure.com/courses/43988/pages/easy-steps-for-writing-project-1)

    ·
    [Writing Project 1 – Library Research – PAST – Assignment Sheet](https://uncfsu.instructure.com/courses/43988/files/8474067?wrap=1) [Download Writing Project 1 – Library Research – PAST – Assignment Sheet](https://uncfsu.instructure.com/courses/43988/files/8474067/download?download_frd=1)

    ·
    [Writing Project 1 – Resources Page](https://uncfsu.instructure.com/courses/43988/pages/writing-project-1-resources-page)

    ·
    [Writing Project 1 Downloadable Word Template.docx](https://uncfsu.instructure.com/courses/43988/files/8473971?wrap=1) [Download Writing Project 1 Downloadable Word Template.docx](https://uncfsu.instructure.com/courses/43988/files/8473971/download?download_frd=1)

    **## WritingProject1DownloadableWordTemplate.docx**

    1

    4

    **Writing Project Title**

    Your First and Last Name

    Fayetteville State University

    ENGL 120: English Composition II

    Dr. Briana Murrell

    March 11, 2024

    Writing Project Title

    Introduction Paragraph should include an overview and context of your topic and problem with emphasis on the past: background and history. Explain your problem without taking a side. End with a thesis statement that gives the main points OR lists the 3 sources of your paper.

    **Insert the title of Library Source #1 OR the Main Point #1**

    For Body Paragraph 1 provide an introduction sentence that gives the title and author(s) of your first library source, along with the main idea(s) of the source. Next, provide a paragraph summary of your first library source. Include the key information that you found about your problem. Information should include – the historical background of your problem; when it began and how it has worked over time, in various contexts; what older studies and research tell us about it; what attempts have been made in the past to improve the situation; and how they have worked out. Remember you can use paraphrases and direct quotes from the source. Also, remember the Quote Sandwich method in which you introduce direct quotes with a signal phrase including the author (year), your quote, then a page number (if applicable), and then explain the quote. Be sure to conclude the paragraph with a final statement that summarizes the library source.

    **Insert the title of Library Source #2 OR the Main Point #2**

    For Body Paragraph 2, again provide an introduction sentence that gives the title and author(s) of your second library source, along with the main idea(s) of the source. Next, provide a paragraph summary of your second library source. Include the key information that you found about your problem – the historical background; when it began and how it has worked over time; what older studies and research tell us about it; what attempts have been made in the past to improve the situation; and how they have worked out. Remember you can use paraphrases and direct quotes from the source. Use the Quote Sandwich method for direct quotes = introduce quotes with a signal phrase including the author (year), your quote, and page number (if applicable), and then explain the quote. Conclude the paragraph with a final statement that summarizes the 2nd library source.

    **Insert the title of Library Source #3 OR the Main Point #3**

    Finally for Body Paragraph 3, again provide an introduction sentence that gives the title and author(s) of your third library source with the main idea(s). Provide a paragraph summary of your last library source. Include the key information that you found about your problem – the historical background; when it began and how it has worked over time, in various contexts, etc. Use paraphrases and direct quotes from the source. Remember the Quote Sandwich method = introduce direct quotes with a signal phrase including the author (year), your quote, then a page number (if applicable), and then explain the quote. Conclude the paragraph with a final statement that summarizes the last library source.

    **Conclusion OR insert a concluding subheading that refers to your overall topic/problem**

    In the Conclusion Paragraph restate your main ideas and include your concluding thoughts about the topic and problem. Also, discuss how the library sources addressed your topic. What have these authors said about your problem? Feel free to discuss the library research process and how to find library sources for the reader. Include information you learned from your library quiz, as well as how to use the library’s website to find academic sources. Include information on how using library resources has helped/hindered your understanding of your topic and problem. Conclude with “Why this topic/problem matters” and a final statement.

    References

    Author, A. A. (Year of publication).
    _Title of work_:
    _Capital letter also for subtitle_. Name of Publisher.

    Author, A. A., Author, B. B., & Author, C. C. (Year of publication).
    _Title of work_:
    _Capital letter also for subtitle_. Name of Publisher. https://doi.org/10.0000/00000000.2019.000000

    Author, A. A., & Author, B. B. (Date of publication). Title of article.
    _Title of Journal_, volume number (issue number), page range. https://doi.org/10.0000/00000000.2020.000000

    **EBSCO-FullText-03_23_2025-3.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ebsco-fulltext-03-23-2025-3-pdf)

    **EBSCO-FullText-03_23_2025.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ebsco-fulltext-03-23-2025-pdf)

    **EBSCO-FullText-03_23_2025-2.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ebsco-fulltext-03-23-2025-2-pdf)

    **EBSCO-FullText-03_23_2025-2.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ebsco-fulltext-03-23-2025-2-pdf)

    **## WritingProject1.docx**

    Writing Project 1: Final Paper – SUBMIT HERE (due M 3/24)

    Overview

    · 2-3 pages (APA formatted) exploring the history of your
    _problem_ by using information found in or through the Chesnutt Library ONLY.

    ·
    **_You may not include anything found anywhere other than Chesnutt Library and/or the_** [**_library’s website_**](https://libguides.uncfsu.edu/home)

    · Your essay will consist of a summary (in your own words) of each
    _library source_ **(at least 3)**. One source MUST be a book (print or online).

    · For extra credit, have campus
    [Writing Center tutors or Upswing tutors](https://uncfsu.instructure.com/courses/43988/pages/free-writing-support-and-extension-grade-contracts) review your paper before turning in your final copy. This is a part of your essay grade. (See
    [Week 5](https://uncfsu.instructure.com/courses/43988/modules/360567) in Canvas for more info. on writing support.)

    Learning goals:

    1. Increase comfort and familiarity with using an academic library (Library of Congress organizational system, eBooks, online databases, academic journal articles, etc.) and reading and evaluating academic research.

    2. Learn about the historical background of your
    _problem_:

    · when did it begin and how has it worked over time, in various contexts;

    · what do older studies and research tell us about it;

    · what attempts have been made in the past to improve the situation; and

    · how have they worked out

    The below resources are MOST helpful when writing your paper –

    ·
    [Easy Steps for Writing Project 1](https://uncfsu.instructure.com/courses/43988/pages/easy-steps-for-writing-project-1)

    ·
    [Writing Project 1 – Library Research – PAST – Assignment Sheet](https://uncfsu.instructure.com/courses/43988/files/8474067?wrap=1) [Download Writing Project 1 – Library Research – PAST – Assignment Sheet](https://uncfsu.instructure.com/courses/43988/files/8474067/download?download_frd=1)

    ·
    [Writing Project 1 – Resources Page](https://uncfsu.instructure.com/courses/43988/pages/writing-project-1-resources-page)

    ·
    [Writing Project 1 Downloadable Word Template.docx](https://uncfsu.instructure.com/courses/43988/files/8473971?wrap=1) [Download Writing Project 1 Downloadable Word Template.docx](https://uncfsu.instructure.com/courses/43988/files/8473971/download?download_frd=1)

    **## WritingProject1DownloadableWordTemplate.docx**

    1

    4

    **Writing Project Title**

    Your First and Last Name

    Fayetteville State University

    ENGL 120: English Composition II

    Dr. Briana Murrell

    March 11, 2024

    Writing Project Title

    Introduction Paragraph should include an overview and context of your topic and problem with emphasis on the past: background and history. Explain your problem without taking a side. End with a thesis statement that gives the main points OR lists the 3 sources of your paper.

    **Insert the title of Library Source #1 OR the Main Point #1**

    For Body Paragraph 1 provide an introduction sentence that gives the title and author(s) of your first library source, along with the main idea(s) of the source. Next, provide a paragraph summary of your first library source. Include the key information that you found about your problem. Information should include – the historical background of your problem; when it began and how it has worked over time, in various contexts; what older studies and research tell us about it; what attempts have been made in the past to improve the situation; and how they have worked out. Remember you can use paraphrases and direct quotes from the source. Also, remember the Quote Sandwich method in which you introduce direct quotes with a signal phrase including the author (year), your quote, then a page number (if applicable), and then explain the quote. Be sure to conclude the paragraph with a final statement that summarizes the library source.

    **Insert the title of Library Source #2 OR the Main Point #2**

    For Body Paragraph 2, again provide an introduction sentence that gives the title and author(s) of your second library source, along with the main idea(s) of the source. Next, provide a paragraph summary of your second library source. Include the key information that you found about your problem – the historical background; when it began and how it has worked over time; what older studies and research tell us about it; what attempts have been made in the past to improve the situation; and how they have worked out. Remember you can use paraphrases and direct quotes from the source. Use the Quote Sandwich method for direct quotes = introduce quotes with a signal phrase including the author (year), your quote, and page number (if applicable), and then explain the quote. Conclude the paragraph with a final statement that summarizes the 2nd library source.

    **Insert the title of Library Source #3 OR the Main Point #3**

    Finally for Body Paragraph 3, again provide an introduction sentence that gives the title and author(s) of your third library source with the main idea(s). Provide a paragraph summary of your last library source. Include the key information that you found about your problem – the historical background; when it began and how it has worked over time, in various contexts, etc. Use paraphrases and direct quotes from the source. Remember the Quote Sandwich method = introduce direct quotes with a signal phrase including the author (year), your quote, then a page number (if applicable), and then explain the quote. Conclude the paragraph with a final statement that summarizes the last library source.

    **Conclusion OR insert a concluding subheading that refers to your overall topic/problem**

    In the Conclusion Paragraph restate your main ideas and include your concluding thoughts about the topic and problem. Also, discuss how the library sources addressed your topic. What have these authors said about your problem? Feel free to discuss the library research process and how to find library sources for the reader. Include information you learned from your library quiz, as well as how to use the library’s website to find academic sources. Include information on how using library resources has helped/hindered your understanding of your topic and problem. Conclude with “Why this topic/problem matters” and a final statement.

    References

    Author, A. A. (Year of publication).
    _Title of work_:
    _Capital letter also for subtitle_. Name of Publisher.

    Author, A. A., Author, B. B., & Author, C. C. (Year of publication).
    _Title of work_:
    _Capital letter also for subtitle_. Name of Publisher. https://doi.org/10.0000/00000000.2019.000000

    Author, A. A., & Author, B. B. (Date of publication). Title of article.
    _Title of Journal_, volume number (issue number), page range. https://doi.org/10.0000/00000000.2020.000000

    **EBSCO-FullText-03_23_2025-3.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ebsco-fulltext-03-23-2025-3-pdf)

    **EBSCO-FullText-03_23_2025.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ebsco-fulltext-03-23-2025-pdf)

    **EBSCO-FullText-03_23_2025-2.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ebsco-fulltext-03-23-2025-2-pdf)

    **## WritingProject1.docx**

    Writing Project 1: Final Paper – SUBMIT HERE (due M 3/24)

    Overview

    · 2-3 pages (APA formatted) exploring the history of your
    _problem_ by using information found in or through the Chesnutt Library ONLY.

    ·
    **_You may not include anything found anywhere other than Chesnutt Library and/or the_** [**_library’s website_**](https://libguides.uncfsu.edu/home)

    · Your essay will consist of a summary (in your own words) of each
    _library source_ **(at least 3)**. One source MUST be a book (print or online).

    · For extra credit, have campus
    [Writing Center tutors or Upswing tutors](https://uncfsu.instructure.com/courses/43988/pages/free-writing-support-and-extension-grade-contracts) review your paper before turning in your final copy. This is a part of your essay grade. (See
    [Week 5](https://uncfsu.instructure.com/courses/43988/modules/360567) in Canvas for more info. on writing support.)

    Learning goals:

    1. Increase comfort and familiarity with using an academic library (Library of Congress organizational system, eBooks, online databases, academic journal articles, etc.) and reading and evaluating academic research.

    2. Learn about the historical background of your
    _problem_:

    · when did it begin and how has it worked over time, in various contexts;

    · what do older studies and research tell us about it;

    · what attempts have been made in the past to improve the situation; and

    · how have they worked out

    The below resources are MOST helpful when writing your paper –

    ·
    [Easy Steps for Writing Project 1](https://uncfsu.instructure.com/courses/43988/pages/easy-steps-for-writing-project-1)

    ·
    [Writing Project 1 – Library Research – PAST – Assignment Sheet](https://uncfsu.instructure.com/courses/43988/files/8474067?wrap=1) [Download Writing Project 1 – Library Research – PAST – Assignment Sheet](https://uncfsu.instructure.com/courses/43988/files/8474067/download?download_frd=1)

    ·
    [Writing Project 1 – Resources Page](https://uncfsu.instructure.com/courses/43988/pages/writing-project-1-resources-page)

    ·
    [Writing Project 1 Downloadable Word Template.docx](https://uncfsu.instructure.com/courses/43988/files/8473971?wrap=1) [Download Writing Project 1 Downloadable Word Template.docx](https://uncfsu.instructure.com/courses/43988/files/8473971/download?download_frd=1)

    **## WritingProject1DownloadableWordTemplate.docx**

    1

    4

    **Writing Project Title**

    Your First and Last Name

    Fayetteville State University

    ENGL 120: English Composition II

    Dr. Briana Murrell

    March 11, 2024

    Writing Project Title

    Introduction Paragraph should include an overview and context of your topic and problem with emphasis on the past: background and history. Explain your problem without taking a side. End with a thesis statement that gives the main points OR lists the 3 sources of your paper.

    **Insert the title of Library Source #1 OR the Main Point #1**

    For Body Paragraph 1 provide an introduction sentence that gives the title and author(s) of your first library source, along with the main idea(s) of the source. Next, provide a paragraph summary of your first library source. Include the key information that you found about your problem. Information should include – the historical background of your problem; when it began and how it has worked over time, in various contexts; what older studies and research tell us about it; what attempts have been made in the past to improve the situation; and how they have worked out. Remember you can use paraphrases and direct quotes from the source. Also, remember the Quote Sandwich method in which you introduce direct quotes with a signal phrase including the author (year), your quote, then a page number (if applicable), and then explain the quote. Be sure to conclude the paragraph with a final statement that summarizes the library source.

    **Insert the title of Library Source #2 OR the Main Point #2**

    For Body Paragraph 2, again provide an introduction sentence that gives the title and author(s) of your second library source, along with the main idea(s) of the source. Next, provide a paragraph summary of your second library source. Include the key information that you found about your problem – the historical background; when it began and how it has worked over time; what older studies and research tell us about it; what attempts have been made in the past to improve the situation; and how they have worked out. Remember you can use paraphrases and direct quotes from the source. Use the Quote Sandwich method for direct quotes = introduce quotes with a signal phrase including the author (year), your quote, and page number (if applicable), and then explain the quote. Conclude the paragraph with a final statement that summarizes the 2nd library source.

    **Insert the title of Library Source #3 OR the Main Point #3**

    Finally for Body Paragraph 3, again provide an introduction sentence that gives the title and author(s) of your third library source with the main idea(s). Provide a paragraph summary of your last library source. Include the key information that you found about your problem – the historical background; when it began and how it has worked over time, in various contexts, etc. Use paraphrases and direct quotes from the source. Remember the Quote Sandwich method = introduce direct quotes with a signal phrase including the author (year), your quote, then a page number (if applicable), and then explain the quote. Conclude the paragraph with a final statement that summarizes the last library source.

    **Conclusion OR insert a concluding subheading that refers to your overall topic/problem**

    In the Conclusion Paragraph restate your main ideas and include your concluding thoughts about the topic and problem. Also, discuss how the library sources addressed your topic. What have these authors said about your problem? Feel free to discuss the library research process and how to find library sources for the reader. Include information you learned from your library quiz, as well as how to use the library’s website to find academic sources. Include information on how using library resources has helped/hindered your understanding of your topic and problem. Conclude with “Why this topic/problem matters” and a final statement.

    References

    Author, A. A. (Year of publication).
    _Title of work_:
    _Capital letter also for subtitle_. Name of Publisher.

    Author, A. A., Author, B. B., & Author, C. C. (Year of publication).
    _Title of work_:
    _Capital letter also for subtitle_. Name of Publisher. https://doi.org/10.0000/00000000.2019.000000

    Author, A. A., & Author, B. B. (Date of publication). Title of article.
    _Title of Journal_, volume number (issue number), page range. https://doi.org/10.0000/00000000.2020.000000

    **EBSCO-FullText-03_23_2025-3.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ebsco-fulltext-03-23-2025-3-pdf)

    **EBSCO-FullText-03_23_2025.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ebsco-fulltext-03-23-2025-pdf)

    **EBSCO-FullText-03_23_2025-2.pdf**

    This file is too large to display. [View in new window](https://www.sweetstudy.com/files/ebsco-fulltext-03-23-2025-2-pdf)

  • [Solved] his 101

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    Analyze the career of Alexander the Great. In your answer, discuss Alexander’s personality and background, and describe the atmosphere in the Greek world upon Alexander’s accession to the throne of Macedonia. Also, treat, in detail, the campaigns of Alexander against the Persian Empire, considering …

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    Assignment Prompt & Instructions

    Analyze the career of Alexander the Great. In your answer, discuss Alexander’s personality and background, and describe the atmosphere in the Greek world upon Alexander’s accession to the throne of Macedonia. Also, treat, in detail, the campaigns of Alexander against the Persian Empire, considering each of the major battles he fought against the Persian host; in your view, what factors contributed to Alexander's success on the battlefield? Finally, discuss the death of Alexander and its aftermath; what happened to his empire after he died and what was the appearance of the eastern Mediterranean world as a result of his conquests (i.e. what was the historical significance/impact of Alexander’s conquests)?

    When answering the question, please be sure to document your sources (even if you just use the textbook), using the format (MLA, APA, Chicago, etc.) you're most familiar with.  Because the Discussion Board is somewhat informal, you're free to use the style you're most accustomed to using when documenting sources.  Additionally, please work to answer the question using YOUR OWN WORDS as much as possible.  Occasionally using direct quotations from the textbook is okay/acceptable, but most of your answer should be written in your own words (use of AI is NOT permitted).  It's really not your own work if you just copy your answer from the textbook (or other sources), even if you use quotation marks and citations, and will thus be scored accordingly.

    – 2 years ago

  • [Solved] His 101

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    What contributions (artistic and architectural, political, literary, and philosophical) did the Greeks make to Western Civilization during the Classical Age? Explain. As you discuss these contributions, be sure to identify the major figures associated with these achievements and the specific roles t…

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    Order on TutorsGallery →

    Assignment Prompt & Instructions

    What contributions (artistic and architectural, political, literary, and philosophical) did the Greeks make to Western Civilization during the Classical Age?  Explain. As you discuss these contributions, be sure to identify the major figures associated with these achievements and the specific roles they played.

    When answering the question, please be sure to document your sources (even if you just use the textbook), using the format (MLA, APA, Chicago, etc.) you're most familiar with.  Because the Discussion Board is somewhat informal, you're free to use the style you're most accustomed to using when documenting sources.  Additionally, please work to answer the question using YOUR OWN WORDS as much as possible.  Occasionally using direct quotations from the textbook is okay/acceptable, but most of your answer should be written in your own words (use of AI is NOT permitted).  It's really not your own work if you just copy your answer from the textbook (or other sources), even if you use quotation marks and citations, and will thus be scored accordingly.

    – 2 years ago

  • [Solved] irb

    ✓ Verified Academic Solution Available

    Executive Solution Overview

    [>Ancient history homework help](https://www.sweetstudy.com/fields/history-ancient-history) Can you please fix this for me – 2 years ago **files (4)** – ## Recruitment_Template-Followup-23.docx – ## Recruitment-Template-In-PersonVerbalPhone2.docx – ## RecruitmentStrategy.docxSocialMedia3.docx – ## …

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    Assignment Prompt & Instructions

    [>Ancient history homework help](https://www.sweetstudy.com/fields/history-ancient-history)

    Can you please fix this for me

    – 2 years ago

    **files (4)**

    – ## Recruitment_Template-Followup-23.docx

    – ## Recruitment-Template-In-PersonVerbalPhone2.docx

    – ## RecruitmentStrategy.docxSocialMedia3.docx

    – ## Recruitment.docx

    **## Recruitment_Template-Followup-23.docx**

    **Recruitment Template: Follow Up**

    Dear [Potential Participant/Parents/Student/etc.],

    As a doctoral candidate in the
    [Christian Leadership Doctoral Programs](https://canvas.liberty.edu/courses/55053) at Liberty University, I am conducting research to better understand how social media influences the religious behavior of church-going teenagers. Two weeks ago, an email was sent to you inviting your child to participate in a research study. This follow-up letter is being sent to remind you to review and return the attached parental consent form if you would like your child to participate and have not already done so.

    Participants must be between the ages of 13 and 18 and currently attend a church on a regular basis. Participants will be asked to complete an online, anonymous survey about their use of social media and its impact on their religious practices. It should take approximately 15-20 minutes to complete the survey. Participation will be completely anonymous, and no personal, identifying information will be collected.

    To participate, please have your child complete the attached survey and return it by email or contact me at [phone number/email address] to schedule a follow-up interview if you would prefer. If you agree to have your child participate and meet the criteria, I will send further instructions.

    A consent document is attached to this letter, which provides additional information about the study. If you choose to participate for your child, you will need to sign the consent form and return it to me by email or to your child's teacher at their school.

    Because participation is anonymous, you do not need to sign and return the consent document unless you would prefer to do so. After you have read the consent form, please complete and return the survey. Doing so will indicate that you have read the consent information and agree to participate.

    Participants will receive a $10 gift card as a token of appreciation for their time.

    Sincerely,
    Arnita Norman

    2

    **## Recruitment-Template-In-PersonVerbalPhone2.docx**

    **Recruitment Template: Verbal Script (Phone or In Person)**

    _Hello [Potential Participant/Parents/Students/etc.],_

    _My name is Arnita Norman and I am a [student/graduate student/post-graduate/doctoral candidate/faculty member] in the [Provide the name of your academic school or department (e.g., School of Education, Psychology Department, etc.)] at Liberty University. I am conducting research [as part of the requirements for a [___] degree]—OR—[to better understand a(n) [issue/phenomenon/etc.]]. The purpose of my research is to [Provide a brief summary of your research purpose], and I would like to invite [you/your child] to join my study._

    _Participants must be [List your participant criteria, e.g., 18 years of age or older, college students who have earned at least 30 credit hours, etc.]. [Are you/your child] [Repeat your study criteria, e.g., 18 years of age or older, a college student who has earned at least 30 credit hours, etc.]?_

    _[“Yes” response:] Participants will be asked to [List your study procedures, e.g., take part in a one-on-one, audio-recorded, in-person interview]. It should take approximately [time estimate in minutes/hours] to complete the procedure[s] listed. [Participation will be completely anonymous, and no personal, identifying information will be collected.]—OR—[Names and other identifying information will be requested as part of this study, but participant identities will not be disclosed.]_

    _[“No” response:] Unfortunately, [you do/your child does] not meet my participant criteria, so I am unable to include [you/your child] in my study. Thank you for your time._

    _If you would [Retain the applicable option.] [like to participate/allow your child to participate], please [complete the following actions relevant to your study, e.g., provide your email address so I can send you the link to the consent form]._

    _[“Yes” response:] Great, [Retain and, if needed, complete the applicable option.] [could I get your email address so I can send you the [link to the survey/consent form]?]_

    _[“No” response:] I understand. Thank you for your time._

    _Regarding the consent process, [Retain the applicable option.] [Here is the consent form./A consent form] [Retain the applicable option.] [is provided as the first page of the survey /will be [given/emailed] to you/will be sent home with your child [at the time of (Not applicable for minors.)/one week before/etc.] the [interview/focus group/etc.]]. The consent document contains additional information about my research._

    _[If applicable, include:] Because participation is anonymous, you do not need to sign and return the consent document unless you would prefer to do so. After you have read the consent form, please [click the [button/link] to proceed to the survey/complete and return the survey.] Doing so will indicate that you have read the consent information and would like to take part in the study._

    _[If applicable, include:] If you [choose to participate/allow your child to participate], you will need to sign the consent document and return it to [me [before I leave/before our meeting ends]/me at the time of the [interview/focus group/etc.]]._

    _If you plan to compensate your participants, please include the below sentence; otherwise, remove it: Participants [will receive a [$[amount] [type/store] gift card/be entered in a raffle to receive [list prize(s)/etc.]]._

    _Thank you for your time. Do you have any questions?_

    **## RecruitmentStrategy.docxSocialMedia3.docx**

    **Recruitment Strategy: Social Media**

    1.
    **Define Target Group:**

    · Church-going teenagers aged 13-19.

    · Both active and occasional participants in religious services.

    2.
    **Create Outreach Materials:**

    ·
    **Flyers and Posters:** Highlight the study’s purpose, confidentiality, and potential impact.


    ·
    **Social Media Posts:** Use platforms popular among teens (Instagram, TikTok, and Google Forms platform, Analysis and Reporting


    · Use statistical analysis for quantitative data to identify trends and correlations.

    · Thematic analysis for qualitative data to capture nuanced perspectives.

    · Conclusion

    · Summarize findings and discuss implications for religious communities, parents, and educators regarding the influence of social media on the religious behavior of teenagers.

    · ) to share engaging content about the study.

    3.
    **Engage Churches:**

    · Collaborate with local churches to promote the study through announcements, newsletters, or youth group meetings.

    · Offer to present at youth events or services to explain the study.

    4.
    **Leverage Influencers:**

    · Partner with youth leaders or social media influencers within faith communities to reach a broader audience.

    5.
    **Online Surveys:**

    · Develop a user-friendly online survey to make participation easy and accessible.

    6.
    **Incentives:**

    · Consider offering small incentives (like gift cards) for participation to encourage engagement.

    **Research Focus Areas**

    1.
    **Social Media Usage:**

    · Frequency and types of social media platforms used by teenagers.

    · Content engagement related to religious themes.

    2.
    **Religious Behavior:**

    · Attendance at religious services.

    · Participation in religious discussions or activities online.

    3.
    **Perceptions and Attitudes:**

    · How social media influences their beliefs, values, and sense of community within their faith.

    4.
    **Comparative Analysis:**

    · Differences in behavior and attitudes between teens with high social media engagement and those with low engagement.

    **Data Collection Methods**

    1.
    **Surveys and Questionnaires:**

    · Use quantitative methods to gather data on social media habits and religious participation.

    2.
    **Interviews:**

    · Conduct qualitative interviews for deeper insights into personal experiences and perceptions.

    3.
    **Focus Groups:**

    · Organize discussions with groups of teenagers to explore collective views on the impact of social media.

    **Analysis and Reporting**

    · Use statistical analysis for quantitative data to identify trends and correlations.

    · Thematic analysis for qualitative data to capture nuanced perspectives.

    **Conclusion**

    Summarize findings and discuss implications for religious communities, parents, and educators regarding the influence of social media on the religious behavior of teenagers.

    **## Recruitment.docx**

    Recruitment

    | |
    | — |
    | **Recruitment of Participants**<br>_This section will collect additional information on the recruitment of potential participants._ |

    *required

    | | |
    | — | — |
    | **How will you contact potential participants to recruit them for your study?**<br>_Select the recruitment method(s) you plan to use:_ |
    | | **Email/Phone** |

    | | |
    | — | — |
    | | **Social Media** |
    | _Select the specific method(s) you will use:_ |

    | | |
    | — | — |
    | | I will post my study information on my <br>**_personal_** social media account(s)/page(s). |
    | | I will post my study information on a <br>**_public_** social media account/page associated with an interest, <br> <br>lifestyle, life circumstance, etc. |

    | | |
    | — | — |
    | | I will obtain permission from the account/page administrator to post my study information on a <br>**_private_** social media page associated with an interest, lifestyle, life circumstance, etc. |
    | | Other (describe): |
    | | **Flyer/Handout** |

    | | |
    | — | — |
    | | **In-person/Verbal** |
    | _Select the specific method(s) you will use:_ |

    | | |
    | — | — |
    | | I will set up a table/display/approach individuals in a <br>**_public location_** and tell interested individuals <br> <br>about my study. |
    | | I will obtain permission to set up a table/display/approach individuals in a <br>**_private location_** and <br> <br>tell them about my study. |

    | | |
    | — | — |
    | | Other (describe): |
    | | **Other (describe):** |

    *required

    | |
    | — |
    | |

    **Collapse Comments**

    **Emily Brubaker** 03-10-2025 12:16 PM


    Please select how you will recruit participants from the options above. If you are doing so via in-person/verbal and social media recruitment methods, please select both boxes above.

    Reply

    | |
    | — |
    | |

    *required

    | | |
    | — | — |
    | **Does your study have a limited recruitment window?**<br>_E.g., The study site is a summer camp that is only open for three months out of the year, the site only allows_<br>_data collection during specific months, etc._ |
    | | Yes |

    | | |
    | — | — |
    | | No |
    | |

    *required

    | |
    | — |
    | **Attach your recruitment documents as**<br>**separate Word documents here.**<br>_Depending on your above responses, you may need to attach multiple recruitment documents:_<br>· <br>_Email(s)_<br>· <br>_Letter(s)_<br>· <br>_Social media post(s)_<br>· <br>_Flyer(s), etc._<br>Attach<br>, required<br>[Recruitment Strategy.docx Social Media.docx](https://lu.cayuse.com/rs/api/docstore/6175827)<br>[Recruitment_Template-Followup-1.docx](https://lu.cayuse.com/rs/api/docstore/6202296)<br>Sample documents: <br>[Recruitment (Flyer)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment_Template-Flyer.docx),  <br>[Recruitment (Email/Letter)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-Email.docx),  <br>[Recruitment (Follow-up)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment_Template-Followup-1.docx),  <br>[Recruitment (Verbal)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-In-PersonVerbalPhone.docx), <br> <br>[Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) |
    | **_Note:_** _If any recruitment documents will need to be provided in a different language, the translated_<br>_documents should also be attached here._ |

    1
    **Collapse Comments**

    **Emily Brubaker** 03-10-2025 12:18 PM


    Based on the recruitment methods you selected at the top of this section, please use one or more of the IRB sample documents to create your recruitment documents. Then, attach the document(s) above as editable Word documents for IRB review.

    For example, if you are recruiting via social media, please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) template.


    Reply

    **Arnita Norman** 03-17-2025 1:48 PM


    It's not click on the social media template

    **Arnita Norman** 03-17-2025 1:49 PM


    Looking at it I did used the social media template

    **Emily Brubaker** 03-17-2025 8:22 AM


    The document attached above is not a proper social media recruitment document. Please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) template then attach it as an editable Word document for IRB review.


    Reply

    **Emily Brubaker** last Friday at 1:17 PM


    The document attached above is not a proper social media recruitment document. Additionally, you selected the option to also recruit in-person/verbally. Please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) and
    [Recruitment (Verbal)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-In-PersonVerbalPhone.docx) templates then attach them as editable Word documents for IRB review.


    Reply

    Not Addressed

    ## image3.wmf

    ## image4.wmf

    ## image5.wmf

    ## image1.wmf

    ## image2.wmf

    **## Recruitment.docx**

    Recruitment

    | |
    | — |
    | **Recruitment of Participants**<br>_This section will collect additional information on the recruitment of potential participants._ |

    *required

    | | |
    | — | — |
    | **How will you contact potential participants to recruit them for your study?**<br>_Select the recruitment method(s) you plan to use:_ |
    | | **Email/Phone** |

    | | |
    | — | — |
    | | **Social Media** |
    | _Select the specific method(s) you will use:_ |

    | | |
    | — | — |
    | | I will post my study information on my <br>**_personal_** social media account(s)/page(s). |
    | | I will post my study information on a <br>**_public_** social media account/page associated with an interest, <br> <br>lifestyle, life circumstance, etc. |

    | | |
    | — | — |
    | | I will obtain permission from the account/page administrator to post my study information on a <br>**_private_** social media page associated with an interest, lifestyle, life circumstance, etc. |
    | | Other (describe): |
    | | **Flyer/Handout** |

    | | |
    | — | — |
    | | **In-person/Verbal** |
    | _Select the specific method(s) you will use:_ |

    | | |
    | — | — |
    | | I will set up a table/display/approach individuals in a <br>**_public location_** and tell interested individuals <br> <br>about my study. |
    | | I will obtain permission to set up a table/display/approach individuals in a <br>**_private location_** and <br> <br>tell them about my study. |

    | | |
    | — | — |
    | | Other (describe): |
    | | **Other (describe):** |

    *required

    | |
    | — |
    | |

    **Collapse Comments**

    **Emily Brubaker** 03-10-2025 12:16 PM


    Please select how you will recruit participants from the options above. If you are doing so via in-person/verbal and social media recruitment methods, please select both boxes above.

    Reply

    | |
    | — |
    | |

    *required

    | | |
    | — | — |
    | **Does your study have a limited recruitment window?**<br>_E.g., The study site is a summer camp that is only open for three months out of the year, the site only allows_<br>_data collection during specific months, etc._ |
    | | Yes |

    | | |
    | — | — |
    | | No |
    | |

    *required

    | |
    | — |
    | **Attach your recruitment documents as**<br>**separate Word documents here.**<br>_Depending on your above responses, you may need to attach multiple recruitment documents:_<br>· <br>_Email(s)_<br>· <br>_Letter(s)_<br>· <br>_Social media post(s)_<br>· <br>_Flyer(s), etc._<br>Attach<br>, required<br>[Recruitment Strategy.docx Social Media.docx](https://lu.cayuse.com/rs/api/docstore/6175827)<br>[Recruitment_Template-Followup-1.docx](https://lu.cayuse.com/rs/api/docstore/6202296)<br>Sample documents: <br>[Recruitment (Flyer)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment_Template-Flyer.docx),  <br>[Recruitment (Email/Letter)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-Email.docx),  <br>[Recruitment (Follow-up)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment_Template-Followup-1.docx),  <br>[Recruitment (Verbal)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-In-PersonVerbalPhone.docx), <br> <br>[Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) |
    | **_Note:_** _If any recruitment documents will need to be provided in a different language, the translated_<br>_documents should also be attached here._ |

    1
    **Collapse Comments**

    **Emily Brubaker** 03-10-2025 12:18 PM


    Based on the recruitment methods you selected at the top of this section, please use one or more of the IRB sample documents to create your recruitment documents. Then, attach the document(s) above as editable Word documents for IRB review.

    For example, if you are recruiting via social media, please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) template.


    Reply

    **Arnita Norman** 03-17-2025 1:48 PM


    It's not click on the social media template

    **Arnita Norman** 03-17-2025 1:49 PM


    Looking at it I did used the social media template

    **Emily Brubaker** 03-17-2025 8:22 AM


    The document attached above is not a proper social media recruitment document. Please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) template then attach it as an editable Word document for IRB review.


    Reply

    **Emily Brubaker** last Friday at 1:17 PM


    The document attached above is not a proper social media recruitment document. Additionally, you selected the option to also recruit in-person/verbally. Please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) and
    [Recruitment (Verbal)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-In-PersonVerbalPhone.docx) templates then attach them as editable Word documents for IRB review.


    Reply

    Not Addressed

    ## image3.wmf

    ## image4.wmf

    ## image5.wmf

    ## image1.wmf

    ## image2.wmf

    **## Recruitment_Template-Followup-23.docx**

    **Recruitment Template: Follow Up**

    Dear [Potential Participant/Parents/Student/etc.],

    As a doctoral candidate in the
    [Christian Leadership Doctoral Programs](https://canvas.liberty.edu/courses/55053) at Liberty University, I am conducting research to better understand how social media influences the religious behavior of church-going teenagers. Two weeks ago, an email was sent to you inviting your child to participate in a research study. This follow-up letter is being sent to remind you to review and return the attached parental consent form if you would like your child to participate and have not already done so.


    Participants must be between the ages of 13 and 18 and currently attend a church on a regular basis. Participants will be asked to complete an online, anonymous survey about their use of social media and its impact on their religious practices. It should take approximately 15-20 minutes to complete the survey. Participation will be completely anonymous, and no personal, identifying information will be collected.

    To participate, please have your child complete the attached survey and return it by email or contact me at [phone number/email address] to schedule a follow-up interview if you would prefer. If you agree to have your child participate and meet the criteria, I will send further instructions.

    A consent document is attached to this letter, which provides additional information about the study. If you choose to participate for your child, you will need to sign the consent form and return it to me by email or to your child's teacher at their school.

    Because participation is anonymous, you do not need to sign and return the consent document unless you would prefer to do so. After you have read the consent form, please complete and return the survey. Doing so will indicate that you have read the consent information and agree to participate.

    Participants will receive a $10 gift card as a token of appreciation for their time.

    Sincerely,
    Arnita Norman

    2

    **## Recruitment-Template-In-PersonVerbalPhone2.docx**

    **Recruitment Template: Verbal Script (Phone or In Person)**

    _Hello [Potential Participant/Parents/Students/etc.],_

    _My name is Arnita Norman and I am a [student/graduate student/post-graduate/doctoral candidate/faculty member] in the [Provide the name of your academic school or department (e.g., School of Education, Psychology Department, etc.)] at Liberty University. I am conducting research [as part of the requirements for a [___] degree]—OR—[to better understand a(n) [issue/phenomenon/etc.]]. The purpose of my research is to [Provide a brief summary of your research purpose], and I would like to invite [you/your child] to join my study._


    _Participants must be [List your participant criteria, e.g., 18 years of age or older, college students who have earned at least 30 credit hours, etc.]. [Are you/your child] [Repeat your study criteria, e.g., 18 years of age or older, a college student who has earned at least 30 credit hours, etc.]?_

    _[“Yes” response:] Participants will be asked to [List your study procedures, e.g., take part in a one-on-one, audio-recorded, in-person interview]. It should take approximately [time estimate in minutes/hours] to complete the procedure[s] listed. [Participation will be completely anonymous, and no personal, identifying information will be collected.]—OR—[Names and other identifying information will be requested as part of this study, but participant identities will not be disclosed.]_

    _[“No” response:] Unfortunately, [you do/your child does] not meet my participant criteria, so I am unable to include [you/your child] in my study. Thank you for your time._

    _If you would [Retain the applicable option.] [like to participate/allow your child to participate], please [complete the following actions relevant to your study, e.g., provide your email address so I can send you the link to the consent form]._

    _[“Yes” response:] Great, [Retain and, if needed, complete the applicable option.] [could I get your email address so I can send you the [link to the survey/consent form]?]_

    _[“No” response:] I understand. Thank you for your time._

    _Regarding the consent process, [Retain the applicable option.] [Here is the consent form./A consent form] [Retain the applicable option.] [is provided as the first page of the survey /will be [given/emailed] to you/will be sent home with your child [at the time of (Not applicable for minors.)/one week before/etc.] the [interview/focus group/etc.]]. The consent document contains additional information about my research._

    _[If applicable, include:] Because participation is anonymous, you do not need to sign and return the consent document unless you would prefer to do so. After you have read the consent form, please [click the [button/link] to proceed to the survey/complete and return the survey.] Doing so will indicate that you have read the consent information and would like to take part in the study._

    _[If applicable, include:] If you [choose to participate/allow your child to participate], you will need to sign the consent document and return it to [me [before I leave/before our meeting ends]/me at the time of the [interview/focus group/etc.]]._

    _If you plan to compensate your participants, please include the below sentence; otherwise, remove it: Participants [will receive a [$[amount] [type/store] gift card/be entered in a raffle to receive [list prize(s)/etc.]]._

    _Thank you for your time. Do you have any questions?_

    **## RecruitmentStrategy.docxSocialMedia3.docx**

    **Recruitment Strategy: Social Media**

    1.
    **Define Target Group:**

    · Church-going teenagers aged 13-19.

    · Both active and occasional participants in religious services.

    2.
    **Create Outreach Materials:**

    ·
    **Flyers and Posters:** Highlight the study’s purpose, confidentiality, and potential impact.


    ·
    **Social Media Posts:** Use platforms popular among teens (Instagram, TikTok, and Google Forms platform, Analysis and Reporting


    · Use statistical analysis for quantitative data to identify trends and correlations.

    · Thematic analysis for qualitative data to capture nuanced perspectives.

    · Conclusion

    · Summarize findings and discuss implications for religious communities, parents, and educators regarding the influence of social media on the religious behavior of teenagers.

    · ) to share engaging content about the study.

    3.
    **Engage Churches:**

    · Collaborate with local churches to promote the study through announcements, newsletters, or youth group meetings.

    · Offer to present at youth events or services to explain the study.

    4.
    **Leverage Influencers:**

    · Partner with youth leaders or social media influencers within faith communities to reach a broader audience.

    5.
    **Online Surveys:**

    · Develop a user-friendly online survey to make participation easy and accessible.

    6.
    **Incentives:**

    · Consider offering small incentives (like gift cards) for participation to encourage engagement.

    **Research Focus Areas**

    1.
    **Social Media Usage:**

    · Frequency and types of social media platforms used by teenagers.

    · Content engagement related to religious themes.

    2.
    **Religious Behavior:**

    · Attendance at religious services.

    · Participation in religious discussions or activities online.

    3.
    **Perceptions and Attitudes:**

    · How social media influences their beliefs, values, and sense of community within their faith.

    4.
    **Comparative Analysis:**

    · Differences in behavior and attitudes between teens with high social media engagement and those with low engagement.

    **Data Collection Methods**

    1.
    **Surveys and Questionnaires:**

    · Use quantitative methods to gather data on social media habits and religious participation.

    2.
    **Interviews:**

    · Conduct qualitative interviews for deeper insights into personal experiences and perceptions.

    3.
    **Focus Groups:**

    · Organize discussions with groups of teenagers to explore collective views on the impact of social media.

    **Analysis and Reporting**

    · Use statistical analysis for quantitative data to identify trends and correlations.

    · Thematic analysis for qualitative data to capture nuanced perspectives.

    **Conclusion**

    Summarize findings and discuss implications for religious communities, parents, and educators regarding the influence of social media on the religious behavior of teenagers.

    **## Recruitment.docx**

    Recruitment

    | |
    | — |
    | **Recruitment of Participants**<br>_This section will collect additional information on the recruitment of potential participants._ |

    *required

    | | |
    | — | — |
    | **How will you contact potential participants to recruit them for your study?**<br>_Select the recruitment method(s) you plan to use:_ |
    | | **Email/Phone** |

    | | |
    | — | — |
    | | **Social Media** |
    | _Select the specific method(s) you will use:_ |

    | | |
    | — | — |
    | | I will post my study information on my <br>**_personal_** social media account(s)/page(s). |
    | | I will post my study information on a <br>**_public_** social media account/page associated with an interest, <br> <br>lifestyle, life circumstance, etc. |

    | | |
    | — | — |
    | | I will obtain permission from the account/page administrator to post my study information on a <br>**_private_** social media page associated with an interest, lifestyle, life circumstance, etc. |
    | | Other (describe): |
    | | **Flyer/Handout** |

    | | |
    | — | — |
    | | **In-person/Verbal** |
    | _Select the specific method(s) you will use:_ |

    | | |
    | — | — |
    | | I will set up a table/display/approach individuals in a <br>**_public location_** and tell interested individuals <br> <br>about my study. |
    | | I will obtain permission to set up a table/display/approach individuals in a <br>**_private location_** and <br> <br>tell them about my study. |

    | | |
    | — | — |
    | | Other (describe): |
    | | **Other (describe):** |

    *required

    | |
    | — |
    | |

    **Collapse Comments**

    **Emily Brubaker** 03-10-2025 12:16 PM


    Please select how you will recruit participants from the options above. If you are doing so via in-person/verbal and social media recruitment methods, please select both boxes above.

    Reply

    | |
    | — |
    | |

    *required

    | | |
    | — | — |
    | **Does your study have a limited recruitment window?**<br>_E.g., The study site is a summer camp that is only open for three months out of the year, the site only allows_<br>_data collection during specific months, etc._ |
    | | Yes |

    | | |
    | — | — |
    | | No |
    | |

    *required

    | |
    | — |
    | **Attach your recruitment documents as**<br>**separate Word documents here.**<br>_Depending on your above responses, you may need to attach multiple recruitment documents:_<br>· <br>_Email(s)_<br>· <br>_Letter(s)_<br>· <br>_Social media post(s)_<br>· <br>_Flyer(s), etc._<br>Attach<br>, required<br>[Recruitment Strategy.docx Social Media.docx](https://lu.cayuse.com/rs/api/docstore/6175827)<br>[Recruitment_Template-Followup-1.docx](https://lu.cayuse.com/rs/api/docstore/6202296)<br>Sample documents: <br>[Recruitment (Flyer)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment_Template-Flyer.docx),  <br>[Recruitment (Email/Letter)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-Email.docx),  <br>[Recruitment (Follow-up)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment_Template-Followup-1.docx),  <br>[Recruitment (Verbal)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-In-PersonVerbalPhone.docx), <br> <br>[Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) |
    | **_Note:_** _If any recruitment documents will need to be provided in a different language, the translated_<br>_documents should also be attached here._ |

    1
    **Collapse Comments**

    **Emily Brubaker** 03-10-2025 12:18 PM


    Based on the recruitment methods you selected at the top of this section, please use one or more of the IRB sample documents to create your recruitment documents. Then, attach the document(s) above as editable Word documents for IRB review.

    For example, if you are recruiting via social media, please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) template.


    Reply

    **Arnita Norman** 03-17-2025 1:48 PM


    It's not click on the social media template

    **Arnita Norman** 03-17-2025 1:49 PM


    Looking at it I did used the social media template

    **Emily Brubaker** 03-17-2025 8:22 AM


    The document attached above is not a proper social media recruitment document. Please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) template then attach it as an editable Word document for IRB review.


    Reply

    **Emily Brubaker** last Friday at 1:17 PM


    The document attached above is not a proper social media recruitment document. Additionally, you selected the option to also recruit in-person/verbally. Please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) and
    [Recruitment (Verbal)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-In-PersonVerbalPhone.docx) templates then attach them as editable Word documents for IRB review.


    Reply

    Not Addressed

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    **## Recruitment_Template-Followup-23.docx**

    **Recruitment Template: Follow Up**

    Dear [Potential Participant/Parents/Student/etc.],

    As a doctoral candidate in the
    [Christian Leadership Doctoral Programs](https://canvas.liberty.edu/courses/55053) at Liberty University, I am conducting research to better understand how social media influences the religious behavior of church-going teenagers. Two weeks ago, an email was sent to you inviting your child to participate in a research study. This follow-up letter is being sent to remind you to review and return the attached parental consent form if you would like your child to participate and have not already done so.


    Participants must be between the ages of 13 and 18 and currently attend a church on a regular basis. Participants will be asked to complete an online, anonymous survey about their use of social media and its impact on their religious practices. It should take approximately 15-20 minutes to complete the survey. Participation will be completely anonymous, and no personal, identifying information will be collected.

    To participate, please have your child complete the attached survey and return it by email or contact me at [phone number/email address] to schedule a follow-up interview if you would prefer. If you agree to have your child participate and meet the criteria, I will send further instructions.

    A consent document is attached to this letter, which provides additional information about the study. If you choose to participate for your child, you will need to sign the consent form and return it to me by email or to your child's teacher at their school.

    Because participation is anonymous, you do not need to sign and return the consent document unless you would prefer to do so. After you have read the consent form, please complete and return the survey. Doing so will indicate that you have read the consent information and agree to participate.

    Participants will receive a $10 gift card as a token of appreciation for their time.

    Sincerely,
    Arnita Norman

    2

    **## Recruitment-Template-In-PersonVerbalPhone2.docx**

    **Recruitment Template: Verbal Script (Phone or In Person)**

    _Hello [Potential Participant/Parents/Students/etc.],_

    _My name is Arnita Norman and I am a [student/graduate student/post-graduate/doctoral candidate/faculty member] in the [Provide the name of your academic school or department (e.g., School of Education, Psychology Department, etc.)] at Liberty University. I am conducting research [as part of the requirements for a [___] degree]—OR—[to better understand a(n) [issue/phenomenon/etc.]]. The purpose of my research is to [Provide a brief summary of your research purpose], and I would like to invite [you/your child] to join my study._


    _Participants must be [List your participant criteria, e.g., 18 years of age or older, college students who have earned at least 30 credit hours, etc.]. [Are you/your child] [Repeat your study criteria, e.g., 18 years of age or older, a college student who has earned at least 30 credit hours, etc.]?_

    _[“Yes” response:] Participants will be asked to [List your study procedures, e.g., take part in a one-on-one, audio-recorded, in-person interview]. It should take approximately [time estimate in minutes/hours] to complete the procedure[s] listed. [Participation will be completely anonymous, and no personal, identifying information will be collected.]—OR—[Names and other identifying information will be requested as part of this study, but participant identities will not be disclosed.]_

    _[“No” response:] Unfortunately, [you do/your child does] not meet my participant criteria, so I am unable to include [you/your child] in my study. Thank you for your time._

    _If you would [Retain the applicable option.] [like to participate/allow your child to participate], please [complete the following actions relevant to your study, e.g., provide your email address so I can send you the link to the consent form]._

    _[“Yes” response:] Great, [Retain and, if needed, complete the applicable option.] [could I get your email address so I can send you the [link to the survey/consent form]?]_

    _[“No” response:] I understand. Thank you for your time._

    _Regarding the consent process, [Retain the applicable option.] [Here is the consent form./A consent form] [Retain the applicable option.] [is provided as the first page of the survey /will be [given/emailed] to you/will be sent home with your child [at the time of (Not applicable for minors.)/one week before/etc.] the [interview/focus group/etc.]]. The consent document contains additional information about my research._

    _[If applicable, include:] Because participation is anonymous, you do not need to sign and return the consent document unless you would prefer to do so. After you have read the consent form, please [click the [button/link] to proceed to the survey/complete and return the survey.] Doing so will indicate that you have read the consent information and would like to take part in the study._

    _[If applicable, include:] If you [choose to participate/allow your child to participate], you will need to sign the consent document and return it to [me [before I leave/before our meeting ends]/me at the time of the [interview/focus group/etc.]]._

    _If you plan to compensate your participants, please include the below sentence; otherwise, remove it: Participants [will receive a [$[amount] [type/store] gift card/be entered in a raffle to receive [list prize(s)/etc.]]._

    _Thank you for your time. Do you have any questions?_

    **## RecruitmentStrategy.docxSocialMedia3.docx**

    **Recruitment Strategy: Social Media**

    1.
    **Define Target Group:**

    · Church-going teenagers aged 13-19.

    · Both active and occasional participants in religious services.

    2.
    **Create Outreach Materials:**

    ·
    **Flyers and Posters:** Highlight the study’s purpose, confidentiality, and potential impact.


    ·
    **Social Media Posts:** Use platforms popular among teens (Instagram, TikTok, and Google Forms platform, Analysis and Reporting


    · Use statistical analysis for quantitative data to identify trends and correlations.

    · Thematic analysis for qualitative data to capture nuanced perspectives.

    · Conclusion

    · Summarize findings and discuss implications for religious communities, parents, and educators regarding the influence of social media on the religious behavior of teenagers.

    · ) to share engaging content about the study.

    3.
    **Engage Churches:**

    · Collaborate with local churches to promote the study through announcements, newsletters, or youth group meetings.

    · Offer to present at youth events or services to explain the study.

    4.
    **Leverage Influencers:**

    · Partner with youth leaders or social media influencers within faith communities to reach a broader audience.

    5.
    **Online Surveys:**

    · Develop a user-friendly online survey to make participation easy and accessible.

    6.
    **Incentives:**

    · Consider offering small incentives (like gift cards) for participation to encourage engagement.

    **Research Focus Areas**

    1.
    **Social Media Usage:**

    · Frequency and types of social media platforms used by teenagers.

    · Content engagement related to religious themes.

    2.
    **Religious Behavior:**

    · Attendance at religious services.

    · Participation in religious discussions or activities online.

    3.
    **Perceptions and Attitudes:**

    · How social media influences their beliefs, values, and sense of community within their faith.

    4.
    **Comparative Analysis:**

    · Differences in behavior and attitudes between teens with high social media engagement and those with low engagement.

    **Data Collection Methods**

    1.
    **Surveys and Questionnaires:**

    · Use quantitative methods to gather data on social media habits and religious participation.

    2.
    **Interviews:**

    · Conduct qualitative interviews for deeper insights into personal experiences and perceptions.

    3.
    **Focus Groups:**

    · Organize discussions with groups of teenagers to explore collective views on the impact of social media.

    **Analysis and Reporting**

    · Use statistical analysis for quantitative data to identify trends and correlations.

    · Thematic analysis for qualitative data to capture nuanced perspectives.

    **Conclusion**

    Summarize findings and discuss implications for religious communities, parents, and educators regarding the influence of social media on the religious behavior of teenagers.

    **## Recruitment.docx**

    Recruitment

    | |
    | — |
    | **Recruitment of Participants**<br>_This section will collect additional information on the recruitment of potential participants._ |

    *required

    | | |
    | — | — |
    | **How will you contact potential participants to recruit them for your study?**<br>_Select the recruitment method(s) you plan to use:_ |
    | | **Email/Phone** |

    | | |
    | — | — |
    | | **Social Media** |
    | _Select the specific method(s) you will use:_ |

    | | |
    | — | — |
    | | I will post my study information on my <br>**_personal_** social media account(s)/page(s). |
    | | I will post my study information on a <br>**_public_** social media account/page associated with an interest, <br> <br>lifestyle, life circumstance, etc. |

    | | |
    | — | — |
    | | I will obtain permission from the account/page administrator to post my study information on a <br>**_private_** social media page associated with an interest, lifestyle, life circumstance, etc. |
    | | Other (describe): |
    | | **Flyer/Handout** |

    | | |
    | — | — |
    | | **In-person/Verbal** |
    | _Select the specific method(s) you will use:_ |

    | | |
    | — | — |
    | | I will set up a table/display/approach individuals in a <br>**_public location_** and tell interested individuals <br> <br>about my study. |
    | | I will obtain permission to set up a table/display/approach individuals in a <br>**_private location_** and <br> <br>tell them about my study. |

    | | |
    | — | — |
    | | Other (describe): |
    | | **Other (describe):** |

    *required

    | |
    | — |
    | |

    **Collapse Comments**

    **Emily Brubaker** 03-10-2025 12:16 PM


    Please select how you will recruit participants from the options above. If you are doing so via in-person/verbal and social media recruitment methods, please select both boxes above.

    Reply

    | |
    | — |
    | |

    *required

    | | |
    | — | — |
    | **Does your study have a limited recruitment window?**<br>_E.g., The study site is a summer camp that is only open for three months out of the year, the site only allows_<br>_data collection during specific months, etc._ |
    | | Yes |

    | | |
    | — | — |
    | | No |
    | |

    *required

    | |
    | — |
    | **Attach your recruitment documents as**<br>**separate Word documents here.**<br>_Depending on your above responses, you may need to attach multiple recruitment documents:_<br>· <br>_Email(s)_<br>· <br>_Letter(s)_<br>· <br>_Social media post(s)_<br>· <br>_Flyer(s), etc._<br>Attach<br>, required<br>[Recruitment Strategy.docx Social Media.docx](https://lu.cayuse.com/rs/api/docstore/6175827)<br>[Recruitment_Template-Followup-1.docx](https://lu.cayuse.com/rs/api/docstore/6202296)<br>Sample documents: <br>[Recruitment (Flyer)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment_Template-Flyer.docx),  <br>[Recruitment (Email/Letter)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-Email.docx),  <br>[Recruitment (Follow-up)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment_Template-Followup-1.docx),  <br>[Recruitment (Verbal)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-In-PersonVerbalPhone.docx), <br> <br>[Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) |
    | **_Note:_** _If any recruitment documents will need to be provided in a different language, the translated_<br>_documents should also be attached here._ |

    1
    **Collapse Comments**

    **Emily Brubaker** 03-10-2025 12:18 PM


    Based on the recruitment methods you selected at the top of this section, please use one or more of the IRB sample documents to create your recruitment documents. Then, attach the document(s) above as editable Word documents for IRB review.

    For example, if you are recruiting via social media, please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) template.


    Reply

    **Arnita Norman** 03-17-2025 1:48 PM


    It's not click on the social media template

    **Arnita Norman** 03-17-2025 1:49 PM


    Looking at it I did used the social media template

    **Emily Brubaker** 03-17-2025 8:22 AM


    The document attached above is not a proper social media recruitment document. Please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) template then attach it as an editable Word document for IRB review.


    Reply

    **Emily Brubaker** last Friday at 1:17 PM


    The document attached above is not a proper social media recruitment document. Additionally, you selected the option to also recruit in-person/verbally. Please use the
    [Recruitment (Social Media)](https://www.liberty.edu/graduate/institutional-review-board/recruitment-template-social-media/) and
    [Recruitment (Verbal)](https://www.liberty.edu/graduate/institutional-review-board/wp-content/uploads/sites/77/Recruitment-Template-In-PersonVerbalPhone.docx) templates then attach them as editable Word documents for IRB review.


    Reply

    Not Addressed

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